This month we shine the weaver spotlight on Jae Koscierzynski from Michigan. Like so many students that came here over the years, Jae was an inspiration to me. Throughout my career as a teacher I have been so blessed to have such wonderful students.
Doing towel or sample exchanges was always a big part of the retreat scene here at JST. When students did exchanges based on the overlaying of ideas in the workshops the results were fabulous, unique and so inspiring. The whole was always greater than the sum of the parts.
Thank you to Joan Sheridan of Heritage Spinning and Weaving for being such a wonderful friend and for sending me so many talented students. You must be so proud of Jae, I sure know I am.
|I was introduced to weaving several years ago by Joan Sheridan. She owns Heritage Spinning & Weaving where I teach knitting. As an engineer by trade, she thought I would enjoy weaving. I’ll admit I didn’t take to it at first. I loved everything about weaving a project except the actual, well, weaving. Figuring out the amount yarn needed, love it! Warping, beaming, threading, sleying, and hem stitching – love all that too. It wasn’t until I took Jane’s Colour & Design class that I learned to love throwing the shuttle. Until then, I couldn’t follow someone else’s pattern without boredom setting in about 2 inches into the project, but I didn’t know where to start or have the confidence to try my own ideas. After Colour & Design, I am always weaving. I now have more ideas to try on my loom than I will ever be able to weave in my lifetime!|
|I wove this scarf after a sample exchange with several other class members from one of the last in-person Pushing the Boundary with Plain Weave I sessions. We had been together the year before in Colour & Design and did a towel exchange. We enjoyed taking what we had learned from C&D to make towels and wanted to do it again. However, we admitted that perhaps Cramming and Denting, Rep weave, and the like weren’t well suited for towels. Instead, we all committed to providing 3 samples at least 24″ long. The “rules” were to take something from Colour & Design and combine it with something from PBPW.|
I gave away my samples and apparently did not take any photos before I did! The scarf is warped with 16/2 cotton – black. It is sett and woven at 20 epi/ppi except at the edges which are crammed at 40 epi. This sett is the same as the warp that is used for Season 3 – Episode 8.
I used 30/2 Bombyx silk for the supplemental threads and for the warp, Black Magic, Violet Ice, Ariel’s Voice, Lime Light, Gold Rush, Tiger Lily, and Persophone’s Pip.
|The ratio of each color for the supplemental threads is based on the Parrot Sample from Season 2 – Episode 5. I started with colors I had in my stash to create a color gradient, similar in concept to the Parrot Sample as well.|
|I originally thought of using black as the dividers and natural as the back ground. I’m glad I went the other way as the bright colors pop more against the black background. If I were to do it again, I would perhaps pick a different color for Gold Rush or Lime Light. In the skein, they look distinct but in the actual warp, the colors are very close and I would aim for more contrast.|
I chose to keep the middle section simple since that portion is scrunched up around the neck and isn’t easily seen.
From my sampling, I also realized that the floats had to be kept short to avoid snagging while wearing.
At each end I wove the colors to be square – one with a pattern of “bricks” and the other solid colors with small dashes from the supplemental warp. Choosing how to weave the ends was the hardest part. I had several more ideas that I wanted to try using this graphic and warp structure. As always, the warp ran out before my creativity did!
With every episode that Jane presents, I learn something new. But the best lesson she has given me is to be fearless and just see what happens. It may not turn out as I expect, but I still end up with a piece of cloth that has something to teach me.