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August is a month of harvest around here….we are so busy, picking, freezing and processing food from that big garden out there. Some of the first signs of fall are peeking out like the Virginia Creeper and the temperature is perfect 🙂 I know that a lot of weavers are also gardeners and the first signs of the fall are so welcome because we can put that garden to bed and put our feet up.
Sending tons of love, Jane
Majestic Maple Silk Colourway
Fall inspired silk colours in 20/2 Tussah Silk, hand dyed right here on Salt Spring Island just waiting for your loom 🙂
4 skeins of 100% Silk Spun in Switzerland 5000 yds/lb, 1100 yds/skein C$196.00
Selected Bambu Colours – 20% off Sale
We’re making some room on our shelves and discontinuing some Bambu colours. Get them soon before they are all gone!
Regular C$20.00 – Sale C$16.00 on selected colours
Don’t worry, we still carry a lot of colours in Bambu 7 & 12 🙂
These lovely scarves are perfect for spring and summer! Woven with silk on linen in alternating bands of 1/3 and 3/1 twill, they have gorgeous sheen and drape with a slightly crisp texture that will only get softer and more shimmery with wear. This pattern requires only 4 harnesses, but there are 8 different tie-ups required for weaving. If you have an 8 shaft loom, you’re stylin’, but if you have a 6 treadle loom, we’ve provided a tie-up system to ensure your success!
Here on Salt Spring Island, we are so lucky to live near both the ocean and the mountains. At Fulford Harbour you can admire the two at once, especially as you approach the island on the ferry. Lovely deep ocean views complemented by misty mountain tops – so West Coast, so subtle and inspiring.
These elegant scarves are made with two colours of our 30/2 silk woven on our 40/2 linen in a timeless 2/2 twill. The combination of crisp linen and shimmering silk is exquisite.
It’s so wonderful to once again be able to share another weaver’s exploration of the lessons learned in Colour and Design. Gail Maier has taken that knowledge and layered structures from Twills on Four to create her own unique cloth. It makes my heart sing 🙂
Check out Gail on Instagram @nesthandwovens to see more of her amazing work.
Jane
My name is Gail Maier, and I live in Victoria, British Columbia. The weaving “bug” bit me about 7 years ago – when I was lying on a woven beach towel and noticed that it was completely different on one side vs. the other. My curiosity was triggered, and I had to learn how to do that – my passion for weaving was launched!
I have been a member of the Online Guild from the start, and I have also been fortunate to take several workshops on Salt Spring Island with Jane in the past. But that didn’t include twills on four, and I was super excited when this season began.
Both threading gamps were my inspiration for this project. I wanted to show pattern possibilities by using multiple threadings in one project, without it getting too busy. So, I went back to my all-time favourite lessons from the Online Guild, Colour and Design, Jane’s first lessons. I wanted to use a strong graphic to organize the different twills and chose a three-stripe design with wide-ish borders and edges. My studio shelves have been recently restocked with luscious Venne organic cotton, and I wanted to use some of my new stash. The warm warp colours I choose were havanna, brick red and brass, set off by frames of curry which resulted in some good colour play.
I knew I wanted to fill each big stripe with a different twill, and I also thought it would look cool if the curry-coloured edges and borders could be a different twill too. So, after studying the gamps I chose 3 different point twill threadings and a straight draw threading for the borders. This allowed me to make the intersections where the twills meet have clean, sharp lines.
Twill sett used was 20 epi; I find that I can beat this sett at 20 picks per inch consistently and the resulting cloth is still sturdy enough but also has some nice drape.
The point twills are my favourites, and I selected these – #4 and 5 from the small threading gamp, and M’s and W’s from the large threading gamp. So I then figured out threading repeats by section and drafted so that the big stripes were as equal as possible in size. The warp was 450 inches long, 474 ends, enough for a dozen towels that are 33 inches on the loom and 23 ¾ inches thru the reed.
Weaving the first towel as drawn in is a great place to start. Treadling each section trompe as writ, or following the threading, resulted in some interesting different patterns. I especially liked the design created by treadling 1234 – 321 – 234 – The “wall of troy” threading. I knew I wanted to play with lots of variations, so I decided that when I overlaid ideas from prior classes I should keep one treadling throughout. Otherwise it seemed the design would get too busy.
In the next few towels I used just one treadling sequence, except when I was adding framing borders in the warp colour, curry. In these cases, they were also treadled in a straight draw, which made the frames and borders more distinctive.
My favourite technique to play with is to use colour and weave sequencing options to produce some horizontal stripes, using Fibonacci sequences. This created some really interesting variations, making the cloth look totally different – almost as if I had rethreaded it. Very cool, and this effect was most interesting when the treadling sequences were an odd number, like #5 (1234-1-4321). I used either 2 or 4 picks per stripe so two shuttles were easy to manage – one on each side of the cloth. These stripes inspired me to use this idea in a plaid, and it worked well. The resulting patterns are not traditional plaids, but it’s still plaid-like. These are some of my personal favourites, especially the purple one.
I switched out colours and pushed the combinations so that the cloth wasn’t warm anymore, using purple, deep red and turquoise weft colours.
Lessons learned from this project include the following:
small twill patterns need to be “held” in a strong graphic to make them more interesting and sophisticated looking.
proved to myself (again) that purple and turquoise can work with almost any other colour – magenta too
applying Jane’s concepts in the Colour and Design lessons are the most important to me. Learning weave structures is interesting and gives options to create cloth with different hands and for different uses, but the design lessons are always my foundation.
This was a really fun project and the resulting dozen kitchen towels are lovely; a great study in how simple little twills can make big bold statements. Great learning, and I look forward to doing another 4-shaft twill project very soon!
