My philosophy on weaving is really very simple: we should all just be having a blast and enjoying the ride. Weaving is an amazing craft because it provides a creative vehicle for so many different personality types, from the precise analytical mind, to the free-spirited, let’s-fly-into-the-wind types, to all the rest of us in between.
We all see the world differently, and we process information differently. Weaving allows all of us to advance in our own way and arrive at our destination feeling creative and fulfilled.
That said, no matter which way you approach weaving, there are a few things that are a given. We have to learn how to manage our threads and get our looms dressed as easily as possible. And we have to learn a lot of techniques to get the job done. Good technique is central to our success.
Beginners have a lot to take in—a whole new vocabulary, hand and finger dexterity, brushing up on arithmetic :). But also, learning how to stay focussed and hopeful with so many possibilities laid out in front of us on a gazillion websites, blog posts, magazines, books, Pinterest, Instagram…you name it, you could spend all your time just looking and never doing, and you could get really confused.
When I started to weave it was much easier. There were far fewer resources. And there’s a sense in which that changes everything. There weren’t the kits and all the patterns like there are now—and because of that I learned so many valuable things right from the start. Because in those days (you know—around the time of the dinosaur) we were pretty much designing everything from the very first project. If you wanted to make a placemat, well, you took the yarn you had, figured out the ends per inch by wrapping it around a ruler, decided how wide and how long and how many you wanted to make…you did the arithmetic. You decided where the colour was going to go. And then you got going.
Fewer options meant fewer contradictions, too. I was blessed early on to have many wonderful teachers. But I also learned early that each one of them felt quite strongly that their way was best. At the art school I went to, we had a constant string of top notch weavers and artists rotating through the school. One teacher would say, “You should do it this way” and then the next teacher would say, “You should do it that way.” What I figured out was—there are a heck of a lot of ways to do the same darned thing. Eventually I stopped listening to all of them and figured out my own way, based on tidbits from all of them.
Hence, the first year of the School of Weaving focuses on FOUNDATION. I present different ways to do things but the most important thing I try to get across to you, the weavers, is that you have to try different things and find the way that works best for you. Always be open. Do comparative studies. Try one way and then another—but find out what works for you. Remember, it isn’t right, it isn’t wrong…it is just different.
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